Posts Tagged ‘scbwi’

There is a survey posted today on the front page of one of my favorite writerly websites:

You’ve decided to write your first novel. What’s the single best way to learn how to do it?

o Take a class.
o Join a writers group. Get some advice.
o Read a good book on how to write a novel.
o Just write! Tell your story as you think it should be told.
o Read some great novels, from a wrier’s point of view.

I’ve actually done every one of these things. And each of them has made me a better writer. I would recommend any of these as a way for a novice writer to improve his or her craft. Or all of them. But one in particular stands out in my experience as absolutely necessary.

Join a writers group. Get some advice.

All of the rest – even taking a class – are fairly solitary endeavors. And what you need to be a successful writer (besides good ideas, devotion to craft, commitment, and a better-than-basic grasp of your language of choice) is feedback from other writers. All of the theory in the world will only get you so far. You need people to actually read what you’ve written and tell whether it is working. It’s all well and good knowing you aught to have a hook at the beginning of chapter one, but it isn’t as if there is a list of them somewhere you can choose from. You have to craft it. And once you’ve done it, how do you know if it is any good? Just because you think so? You’re the novice, remember?

To quote Nanny Ogg, “There’s many a slip twixt dress and drawers.”

So it will serve you well to surround yourself with fellow writers, hopefully writers engaged in the kind of writing you yourself are pursuing – young adult, historical romance, science fiction, whatever. Otherwise they may not represent your target audience, and may not be able to render useful advice about whether or not your vampires are scary or if Penelope’s bosom is heaving properly. Plus the structure of meeting weekly or bi-weekly provides a tremendous motivation to produce pages of story, which is often hard to muster when one is only writing for one’s self.

There’s an even better reason to find a group of like-minded writers, a reason most novice writers fail utterly to grasp: the real value in the critiquing process comes from giving critiques. There are a number of reasons for this. Writers often reject sound advice if it means tossing out their favorite lines, ideas or characters. Critique groups are fallible; you may get conflicting advice, or your readers may simply not “get” what you are trying to convey in your story (although if they do not, that is in itself often a problem). But when you read the work of other aspiring writers and identify the problems – or triumphs – you begin to see what is working and not working with your own writing.

So where does one find such a group, I hear you cry. Fear not; there are thousands of local writers groups of every genre and experience level looking for new members. Professional writers associations, such as the Society of Children’s Book Writers and Illustrators, will even help you form one if you can’t find one to your liking.

But, really, it’s even easier than that. You’re already on the Internet; just click here. This will take you to that writerly website I mentioned earlier, the one with the survey. The site is call the Critique Circle, and it has been around for over ten years and has over 3,000 members. The site is designed specifically for writers to submit their work for peer review, in categories ranging from children’s to romance and fantasy to horror. And the critique process works well because it is based on a point system – in order to submit your own work you need to earn points by critiquing the stories of others. People are polite, helpful, and for the most part able to render meaningful advice (in my experience). Plus there are dozens of writer forums where you can discuss your genre, your story, your premise, or your characters. You can ask questions in the research forums, and somebody is bound to know something useful. Many of the members are published authors, from all over the world. The site also contains a whole boatload of useful tools for helping your story along: a name generator, writing exercises, a word meter for tracking your progress, a submission tracker, and many more.

I personally filtered my entire novel through this site, to my very great benefit. I can say with complete clarity that the advice I received consistently improved my chapters and my story, and my finished manuscript would not be nearly as good had I worked on it alone.

Oh, and it’s free. And anonymous, if you want.

So if you’re serious about writing, particularly about writing a novel, find a critique group and dive in. The sooner the better. You have nothing to lose but poor writing.




Today I bought another feather for my cap.  Membership in the scbwi — the Society of Children’s Book Writers and Illustrators.  Because, you know, I write children’s books.

Well, so far just the one.  But that’s sort of the point.  I’m in that sinister twighlight between writer and author, and I need someone to guide me out of the darkness.  That’s what the scbwi is for.

Upon paying my $95 I was immediately rewarded with unlimited access to a whole host of valuable resources created and maintained specifically for writers of children’s books — from picture books and early readers, through middle grade to young adult.  Such resources as The Book: Essential Guide to Publishing for Children, the bi-monthly SCBWI Bulletin, podcasts, master classes, discussion boards, mentorships, book launch parties, and conferences where you can meet with editors and publishers face-to-face.

My membership also automatically enrolled me in the regional association, in my case California: North/Central.  And the regional conference coming up in May happens to be held about 2 miles from my house.

As for critique groups and other personalized help, I already belong to an excellent online service, Critique Circle, which is very active, very fair, and has proven to be extremely helpful (I passed my entire manuscript though there, one chapter at a time as I was writing it).  But as good as CC is, it is often rather hit-or-miss whether you will connect with readers willing to critique your work who actually write in your given category.  The scbwi is, of course, exclusive to writers of children’s books.

I naturally have not had time to explore all of the resources available to me in the short time I have been a member.  However one thing I have discovered that really caught my eye was the list of grants available to authors.  Specifically unpublished authors with a work-in-progress.  The scbwi offers a grant every year in six different categories of children’s books to unpublished authors with a finished manuscript (I happen to be such a person), and the winner’s manuscripts will be submitted to a hand-selected group of editors with an endorsement from the scbwi.  There’s even a Late Bloomer award granted to an unpublished author over 50 with a WIP (I also happen to be one of these.  Ahem).

Probably the first thing I’m going to do is to dive into The Book, mentioned above.  It is available to members as a free e-book or for a nominal fee of $10 a printed and bound copy will be shipped to you.  I already have my digital version cued up on my iPad, in iBooks.  So, if you’ll excuse me, I have a WIP to publish….